Vocal style you'll find Casino a sure bet. Mentioned, Mann would cash in his chips with the great croupier in the sky shortly afterĬompleting this project, and whilst I wouldn't say he hit jackpot with it, I'd say if you're into his Star for itself thanks to an inspired vocal and lyrical performance from Geoff Mann. On the whole, I'd say this album is a fairly average neo-prog album which claws out an extra Occasionally schmaltzy Shadowland and Mann-era Twelfth Night. On the whole, I'd agree with psarros that the overall sound is like a mixture between the

Nolan's keyboards are prominent and, unfortunately, more than a little cheesy and unoriginal. Presence of Arrakeen's Sylvian Gouvernaire is beneficial, but slightly underused, whilst Clive However, musically speaking I find the album's a little lacking. If (like me) you don't share his religious convictions and aren't open to being persuaded Were important to him in a compelling and entertaining way which is enjoyable to listen to even Greatest accomplishment as a frontman and a lyricist, conveying the religious ideas which

The story is told with a greater degree of humour and wit than a lot of Christian rock so it doesn'tĬome across nearly as preachy as it might have done. Which we could all enjoy if we just put down our cards and follow him. Mysterious Stranger comes to visit and suggests that there may be a world outside the casino, The story is put across through the use of an allegory in which the world is a great big casino,Īnd we're all punters who are doomed to lose if we keep playing long enough - but the Is essentially a sermon, getting across the basic ideas of Christianity as Mann (who was aĬhurch of England vicar when not fronting prog bands!) understood it. Musicians from other neo-prog groups in order to produce a one-off concept album. One of Geoff Mann's final project sees him team up with Clive Nolan and a stellar range of

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